In Britain, schoolchildren learning about Tudor history are taught a handy rhyme to remember the order of King Henry VIII’s six wives: “Divorced, beheaded, died. Divorced, beheaded, survived.”

Hollywood has for decades been transfixed by the “beheaded” and “died” bits — essentially, the stories about women suffering — but what moviegoers are rarely reminded of is the wife who outlived Henry. In Karim Aïnouz’s hotly anticipated “Firebrand,” it’s the notorious Tudor king’s final companion, Katherine Parr, who finally takes center stage.

“What’s mostly been dramatized are the wives who didn’t make it,” says Swedish star Alicia Vikander, who plays the surviving queen opposite Jude Law’s ailing monarch. “[When I read the script] I immediately thought, ‘Huh, isn’t it interesting that most people know more about the other wives.’ It’s almost like people are drawn to quite grim stories.”

The more Vikander, an Oscar-winner for “The Danish Girl,” read up on Parr and her experience, the more bewildered she became about the grisly narrative surrounding Henry VIII’s wives. “I was like, ‘How could [Parr] not be more known?’ Especially considering that, yes, she survived more years than the other ones, but she was also the first woman under her own name in British history to get published,” says Vikander.

The learned and curious Parr published a number of religious texts beginning in 1545. But as detailed in “Firebrand,” her quest for knowledge and passion for debate almost cost her her life when she was accused of heresy. Scholars beware: Aïnouz’s particular rendition of history has a revisionist edge that bestows the tired annals of history with a modern angle. (“It was about having artistic freedom to make a strong story and to surprise people,” explains Vikander.)

Ultimately, it was Aïnouz’s depth and vision that “drew [her] attention.” “I was in Cannes and I saw ‘The Invisible Life of Euridice Gusmao’ and I was so curious [about him],” says the actor.

“We didn’t grow up with British history in the same sense,” she says, reflecting on both their backgrounds — Vikander from Sweden, and Aïnouz from Brazil. This “outsider” status allowed for a new way of approaching the subject matter.
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I have added some new photos of Alicia Vikander to the gallery and more are coming today so, come back later to take a look to the updates!

Alicia Vikander (The Danish Girl) and Oscar nominee Michael Fassbender (12 Years A Slave) have been set for key roles in feature Hope, the first project from acclaimed Korean director Na Hong-Jin since 2016 hit The Wailing.

The largely Korean-language film will follow the residents of Hopo Port, where a mysterious discovery is made on the outskirts of the remote harbor town. Before long, the residents find themselves in a desperate fight for survival against something they have never encountered before.

Additional casting and pre-production is underway for a shoot later this year in Korea. We understand husband and wife Fassbender and Vikander will speak English in the film and wanted to take part after being impressed by the director’s previous work. It will mark the second time they’ve appeared together in the same film after The Light Between Oceans.

Korean producer-distributor Plus M Entertainment, owned by multiplex chain Megabox, is behind the project after recently inking a financing and distribution deal with Na, also known for Korean movies The Chaser and The Yellow Sea.

Cinematographer Hong Kyung-pyo, known for his work on Parasite and Burning, is also on board, marking his second collaboration with Na after The Wailing.

Hope sounds like it will be cut from similar cloth to the filmmaker’s previous films, all of which have been box office hits. 2016 thriller The Wailing played at Cannes before making $50M globally off an estimated $6M budget. That film charted how a mysterious sickness starts spreading after a stranger arrives in a village. A policeman, drawn into the incident, is forced to solve the mystery in order to save his daughter.

Hope will be produced under Na’s production banner Forged Films. Plus M is handling international sales and UTA Independent Film Group and Plus M are handling North America. The Korean firm is already eyeing additional IP opportunities for the project.
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Alicia Vikander attends the Louis Vuitton Womenswear Fall Winter 2023-2024 show as part of Paris Fashion Week at Orsay Museum on March 06, 2023 in Paris. You can go to the gallery to take a look and enjoy the photos!

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Alicia Vikander is at this week’s Goteborg Film Festival to help promote the Alicia Vikander Film Lab high-school initiative, and because Scandinavia’s largest film festival, held in her home town of Göteborg, southern Sweden, has always been part of her life.

Established in 2021 by Vikander (“The Danish Girl”), the Festival and the Sten Olsson Foundation for Research and Culture, the three-year film training program is for local high-school-aged students, with the program made available to educational establishments in the Goteborg area since last January.

“We’ve managed to get it on the curriculum,” said Vikander who is the biggest star at this year’s festival and a fixture at the event, reciting an Honorary Nordic Dragon Award, for instance, in 2018. “It’s a project where I’ve been able to get a lot of it done remotely on Zoom,” she told Variety at Göteborg.

On Monday at the Festival, a gala will take place presenting films by this year’s students. 12 short films will be screened. The films are between two and five minutes long. Since the launch, film teachers from the Festival have been visiting schools selected this year, once a month, and Vikander has visited the schools twice during the school year.

The participating schools in 2022 are Kannebäcksskolan, Nordhemsskolan and Skälltorpsskolan – the school that Vikander attended. Each year, three to four new schools join the project.

“For a long time, I wanted to find a way to give back,” says Vikander who trained as a dancer at the Royal Swedish Ballet School.

“My mum would never have had the possibility, for example, to pay for dance. If you get into the state Ballet, the state pays for you, and they also paid for my violin lessons. I played with the Philharmonic at 13. Then I did my first film in the Philharmonic. I got all these possibilities. Even if you don’t have financial support in Sweden you can get a cultural education.”

Another reason the initiative took flight is because she has a long-standing relationship with the Göteborg Festival.
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